{"title":"Archive","description":"","products":[{"product_id":"situations-antoine-dagata","title":"Situations","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover with obi | First Edition | 80 Pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Rat Hole Gallery, 2007.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished in conjunction with d’Agata’s exhibition by the same title at Rat Hole Gallery, Tokyo, ‘Situations’ presents a series of highly charged images by Magnum Photographer, Antoine d'Agata, together with an essay by famed situationist thinker Guy Debord. d’Agata’s provocative writhing photographs unveils a world of sex, drugs and decay. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003egood (wear to dust cover and obi)\u003c\/span\u003e\u003c\/p\u003e","brand":"Antoine d’Agata","offers":[{"title":"Default Title","offer_id":47542373941567,"sku":"","price":220.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/d-agata2.jpg?v=1704945968"},{"product_id":"street-cops-jill-freedman","title":"Street Cops","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSoftcover | First edition | 253 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Harper \u0026amp; Row, 1981.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJill Freedman is a documentary photographer best known for narrative photographs shot between the 1960s and 1980s. In particular, Freedman is known for images that explore the bonds of brotherhood (such as firefighters, the police, and men in Resurrection City, a shantytown erected in D.C. after the assassination of Martin Luther King). She often spends a period of time with her subjects, documenting their everyday lives with an emphasis on nuance and contradiction.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eStreet Cops\u003c\/i\u003e\u003cspan\u003e is a visual diary that resulted from two years of following the NYPD as they patrolled Manhattan’s Ninth and Midtown South Precincts. It opens with a grid of black and white portraits of some of the cops she worked with, followed by a quote by Alfred Hitchcock: “Let’s not go too deeply into these things. It’s only a movie.” The subsequent pages each contain a photograph of a cop in a precarious situation, whether it be making an arrest, assisting a detective, beating up an innocent person, or attending a co-worker’s funeral. Beside the images are short pieces of text in which Freedman describes the event depicted.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Jill Freedman","offers":[{"title":"Default Title","offer_id":47542373974335,"sku":"","price":390.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/COVER_72bc07ab-dc23-44f8-8496-7093cd975be1.jpg?v=1778670064"},{"product_id":"a-double-life-nan-goldin-david-armstrong","title":"A Double Life","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | First Edition | 144 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Scalo, 1994.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is a chronicle of Nan Goldin - a New York-based photographer - and her friend David Armstrong's friends, loves, and lives over 20 years. The book is both a visual dialogue between two artists and the portrait of a generation whose hopes and aspirations have been scarred by drugs, AIDS and sexual harassment. The parallel paths of their lives are represented in this book in the juxtaposition of styles - Goldin's colour photography set against Armstrong's more austere black-and-white imagery. It is both an illustrated history of recent culture and an artistic experiment.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e Very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Nan Goldin and David Armstrong","offers":[{"title":"Default Title","offer_id":47542374039871,"sku":"","price":160.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/GOLDIN22.jpg?v=1704946962"},{"product_id":"flash-up-seiji-kurata","title":"Flash Up","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSoftcover | First edition | 190 Pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Byakuya Shobo, 1980.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFlash Up by Seiji Kurata is one of the most exciting photographic excursions into the seedy parts of 1970s Tokyo. Kurata, a natural who began his photographing career doing workshops with revered greats such as Daido Moriyama and Araki Nobuyoshi, takes us on a journey through the nightclub scene of Ikebukuro and Shinjuku, he shows us glimpses of the cocky, tattooed yakuza underworld and of violent Bosozoku street fights, contrasts car crash victims with portraits of nightclub hostesses and the horny salarymen groping them for money, documents ultra-right wingers in Meiji Jingu and on tour in the countryside.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is the book that earned Kurata the Ihei Kimura award in 1980. His instinct for finding and framing interesting subjects translates into a remarkable document of the Tokyo nightlife. Unlike the more expressionistic styles of his “Provoke” teachers Moriyama and Nobuyoshi, Kurata’s medium-format photos possess an almost journalistic clarity and carry with them an air of documentary photography without sacrificing a certain energy and sense of immediacy. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eExtremely scarce.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003every good\u003c\/span\u003e\u003cb\u003e \u003c\/b\u003e\u003cspan\u003e(minor warping\/creasing to covers)\u003c\/span\u003e\u003c\/p\u003e","brand":"Seiji Kurata","offers":[{"title":"Default Title","offer_id":47542374072639,"sku":"","price":800.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/FLASH-UP2.jpg?v=1704946812"},{"product_id":"pseudo-diary","title":"Pseudo Diary","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSoftcover with slipcase | First Edition | 296 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Byakuya-shobo, 1980.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis book is a compilation of diary entries and photographs that Araki ran as a serial in a magazine entitled “Weekend Super.” One entry reads: ‘July 4. Got up at 9a.m. Decided on sex over jogging. Ate breakfast watching Baisho Chieko and Hashi Yukio on the tube. Fried rice and leftovers on parade…’ Everything written is true, and at the same time, nonsense. Walking the tightrope between the two, Araki reveals his backstage props to the audience.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003cspan\u003e: Very good (natural shelf wear and some small dings to dust cover)\u003c\/span\u003e\u003c\/p\u003e","brand":"Nobuyoshi Araki","offers":[{"title":"Default Title","offer_id":47542374302015,"sku":"","price":140.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/ARAKI1.jpg?v=1704947171"},{"product_id":"a-good-mans-grave-is-his-sabbath-nick-wapplington","title":"A Good Man's Grave Is His Sabbath","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eSoftcover | First edition of 400 | 48 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Deadbeat Club \/ Little Big Man Gallery, 2015.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eZine collecting some of Waplington’s earliest photographs, taken between 1979 and 1986. Black and white images of post-punk Britain during the Thatcher years — marches, protests and the riots that followed — are juxtaposed with colour photographs from Waplington’s Surf Riot series, shot at the 1986 OP Pro surf contest in Huntington Beach, California, where a bikini contest spiralled into a full-scale riot. Published to coincide with Waplington’s exhibition of the same name at Little Big Man Gallery.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCondition: good\u003c\/p\u003e","brand":"Nick Wapplington","offers":[{"title":"Default Title","offer_id":47542374367551,"sku":"","price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/WAP1.jpg?v=1704945630"},{"product_id":"i-don-t-know-masafumi-sanai","title":"I Don't Know","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | First edition\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Korinsha Press, 1998.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMasafumi Sanai’s seminal photobook, ‘I Don’t Know”.\u003c\/span\u003e\u003ci\u003e\u003cbr\u003e\u003cbr\u003e\"Masafumi Sanai is representative of a youthful generation of Japanese photo-diarists. He is a prolific maker of photobooks, of which this is the first and probably most successful. Whereas his female equivalent is probably Hiromix, who shows girls and girl things, Sanai shows boys and boy things, most notably cars. Wakaranai (I Don't Know) could be seen as a loose companion piece to Takashi Homma's Tokyo Suburbia, since it documents the same world of outer-city urban landscapes, portraits of contemporaries, and interiors of vacuous malls and apartments on the fringes of Tokyo, shot in the color snapshot diary-mode made famous by the American, Nan Goldin, who has made an enormous impact on Japanese photography.\"\u003c\/i\u003e\u003cspan\u003e (Parr \u0026amp; Badger II)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e excellent\u003c\/span\u003e\u003c\/p\u003e","brand":"Masafumi Sanai","offers":[{"title":"Default Title","offer_id":47542374400319,"sku":"","price":270.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/SANAI.jpg?v=1704946462"},{"product_id":"stage-hedi-slimane","title":"Stage","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eHardcover | First edition | 396 pages\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by 7L, 2004.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver the years, Hedi Slimane's ongoing design collaborations with musicians on their stage costumes has allowed him unfettered access around the stages of live concerts by David Bowie, The White Stripes, Beck, The Rolling Stones, Blondie, The Strokes and The Libertines... in Paris, London, Berlin, New York and Los Angeles. This juncture between fashion and music has evolved into a personal photographic investigation on the mythology of the rock concert. In Slimane's pictures, the stars of the shows are often conspicuously absent; what the images reveal, instead, is a meditation on the creation of a rock personality, the silent ritual that goes on in the space he or she inhabits. His images capture, as Slimane himself puts it, the sacred--almost sacrificial--space of the stage.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCondition:\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e very good (minor shelf wear and page yellowing from age)\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e","brand":"Hedi Slimane","offers":[{"title":"Default Title","offer_id":47542374531391,"sku":"","price":240.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/SLIMANE.jpg?v=1704947949"},{"product_id":"hysteric-seven-dean-sameshima","title":"Hysteric Seven","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | Numbered edition of 400 (no.244) | 48 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Hysteric Glamour, 2002.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSameshima's understated investigation of the LA-based pornographic film industry. This slim but potent collection of photographs from Dean Sameshima is divided into three chapters that lead seamlessly into one another other: the sun-bleached, unadorned cement facades of sex clubs make way for the rumpled, sweat-soaked sheets of the empty beds inside, which then open naturally onto the open shirts of the “Modern Boys” whom the artist has cropped just below the eyes. Bruce Hainley’s essay, “Jock, Model, Building, Bed,” uses Sameshima’s photographs as a launching pad for musings on objects of his own desire and the spaces and places of that desire.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e Excellent\u003c\/span\u003e\u003c\/p\u003e","brand":"Dean Sameshima","offers":[{"title":"Default Title","offer_id":47542374564159,"sku":"","price":95.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/HYSTERIC-copy.jpg?v=1704946408"},{"product_id":"pictures-we-take-for-money-dean-sameshima","title":"Pictures We Take For Money","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eSoftcover | First edition | 95 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Issue \u0026amp; Jack Pierson Studios, 2000.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVery scarce special edition by short-lived New York publication \"Issue,\" entirely comprised of full-page full-bleed colour photos by Jack Pierson, a mix of colour photographs of celebrities, landscapes, still life, models and fashion. Among celebrities photographed: Joyce Carol Oates, Courtney Love, Brad Pitt, Alanis Morissette, K.D. Lang and Vincent Gallo. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e Very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Jack Pierson","offers":[{"title":"Default Title","offer_id":47542374727999,"sku":"","price":120.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/PIERSON_dbcac82a-2454-4762-b9bb-5507960b8492.jpg?v=1704947055"},{"product_id":"couples-and-loneliness-nan-goldin","title":"Couples and Loneliness","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Korinsha Press, 1998.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFew artists have succeeded in creating a body of work as uncompromisingly honest and tender as Nan Goldin’s. \u003c\/span\u003e\u003ci\u003eCouples and Loneliness\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003epresents a collection of images gathered from across Goldin’s photographic career. The collection represents the thematic core of Goldin's work and vision, and explores themes of love, loss, sexuality, intoxication, pain, and her ongoing obsession with the documention of those around her. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe book is narrated throughout by Goldin, offering a poetic backing to the work and anecdotal insight into particular images.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eText in English and Japanese.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e Very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Nan Goldin","offers":[{"title":"Default Title","offer_id":47542374924607,"sku":"","price":190.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/GOLDIN-copy.jpg?v=1704945915"},{"product_id":"finnish-youth-jouko-lehtola","title":"Finnish Youth","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eHardcover | First edition of 1000 copies | 52 pages\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Aalto, 2015.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRaves, parties, heartbreak, tears, hangovers, hickeys, pimples and tattoos are what make up the bulk of late photographer \u003c\/span\u003e\u003ca href=\"http:\/\/www.joukolehtola.com\/site\/\" target=\"_blank\"\u003eJouko Lehtola\u003c\/a\u003e\u003cspan\u003e’s photos of Finnish youth. For over two decades he documented Helsinki, explaining, “I try to capture innocence and rage. Anyone who has been a teenager knows it ain’t fun. It’s not a very nice situation.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e good (shelfwear \/ dent to hardcover)\u003c\/span\u003e\u003c\/p\u003e","brand":"Jouko Lehtola","offers":[{"title":"Default Title","offer_id":47542374957375,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/FIN-YOUTH.jpg?v=1704946125"},{"product_id":"sekigai-kousen-infrared-rays-kohei-yoshiyuki","title":"Sekigai Kousen (Infrared Rays)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSoftcover | First Edition | 112 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Hokusou sha, 1992.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKohei Yoshiyuki is best known for his 1980 book Document The Park in which he photographed illicit sexual encounters in public parks in the 1970s - known as dogging in UK.  In this later book published in 1992 he using the same technique - nighttime photographs taken with infrared film and flash to capture a variety of more contrived scenes including sex on beaches; in junkyards and bondage scenes.\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Kohei Yoshiyuki","offers":[{"title":"Default Title","offer_id":47542375252287,"sku":"","price":150.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/YOSHIYUKI.jpg?v=1704947579"},{"product_id":"farewell-to-bosnia-gilles-peress","title":"Farewell to Bosnia","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | First edition | 168 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Scalo, 1994.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePeress spent three months in central Bosnia, Tuzla, Mostar, and Sarajevo during 1993, his photographs show the pain, death, and destruction caused by the war there. 'Here starts the curse of history, an illness that may not be so personal anymore. It may be a very European disease, after all, with a double-edged nature: you are damned if you remember condemned to re-live, re-enact the images of your fathers; you are damned if you don't condemned to repeat their hypocrisy, he writes. Peress joined Magnum Photos in 1971 and has since served as vice-president three times and twice as president of the cooperative.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe work was initiated by Francois Hers, who was familiar with Peress' ongoing project about the reemerging patterns of hate and discrimination in Europe - \"Hate Thy Brother\" - and who, because of his contacts in Bosnia, felt the urgency to have a visual documentation of what was happening in the Balkans.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Gilles Peress","offers":[{"title":"Default Title","offer_id":47542375350591,"sku":"","price":190.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/peress.jpg?v=1704946085"},{"product_id":"adult-comedy-action-drama-richard-prince","title":"Adult Comedy Action Drama","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eHardcover | First edition | 239 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Scalo, 1995.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRichard Prince's personal artist's diary of ten years. Prince is a collector of varied specimens of visual culture - advertisements, trivial facts, odd photographs, sketches for paintings, meaningful pictures, and banal media images. He has often called his work social science fiction. This is Prince's docu-drama serial adventure into media imagery. The book includes his satire of the Playboy bunny as a death's head, the biker mamas, the Marlboro cowboys, Mike Kelley in performance, comic books, worn-out jokes, newspaper fillers, and banal photographs. 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The school’s alumni included Keizo Kitajima, Seiji Kurata, Osamu Takizawa among others. Each issue contains both images and essays, and was edited by a founder member, with sections by each in every issue, along with work created with and by the students. While the school closed its doors in March 1976, production of the magazine continued until the eighth issue in July 1976.\u003cbr\u003e\u003cbr\u003eA truly fascinating document of the development of post provoke photography. \u003cbr\u003e\u003cbr\u003eThis issue focusses on the work of Seiji Kurata, much of which later appeared in Kurata’s extraordinary photobook, ‘Flash-Up’, as well as a number of his otherwise unpublished photos.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition: \u003c\/b\u003every good (price sticker stuck to front cover)\u003c\/div\u003e","brand":"Seiji Kurata","offers":[{"title":"Default Title","offer_id":47542377382207,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/workshop8.jpg?v=1712123608"},{"product_id":"memoires-1995-seiichi-furuya","title":"Mémoires 1995","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eHardcover | First Edition | 160 Pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Scalo, 1995.\u003cbr\u003e\u003cbr\u003eFuruya's photographs in ‘Mémoires 1995‘ grapple with the suicide of his wife in 1985, his attempt to better understand that act and the repercussions through his and his son's life. Published to coincide his exhibition at the Fotomuseum Winterthur in 1995 under the same title. Includes essays by Urs Stahel and Toshiharu Ito.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondtion: \u003c\/b\u003egood\u003c\/div\u003e","brand":"Seiichi Furuya","offers":[{"title":"Default Title","offer_id":47542377414975,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/SEIICHI199503.jpg?v=1712194174"},{"product_id":"not-six-yurie-nagashima","title":"Not Six","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eSoftcover | First edition | 124 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Switch Publishing, 2004.\u003cbr\u003e\u003cbr\u003eYurie Nagashima  is a Japanese photographer and contemporary artist working predominantly with self-portraiture, portraiture, street photography and still life. In 2000, Nagashima was awarded the prestigious Kimura Ihei Award. Nagashima is a photography tutor at Musashino Art University in Tokyo. As Marigold Warner writes in her interview with Nagashima for the British Journal of Photography “Reductively labelled a “girl photographer” in the 90s, Nagashima is now a leading voice in feminist photographic discourse.\u003cbr\u003e\u003cbr\u003eNagashima turned the lens onto her then husband whom she photographed seemingly obsessivley over the course of seven years. The images of her ex-husband (Fumihito Natsuji) move through the various stages of their lives together and offer a complex and unique insight into the photographer’s own dealings with love and loss.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e good\u003c\/div\u003e","brand":"Yurie Nagashima","offers":[{"title":"Default Title","offer_id":47542377480511,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/NOTSIX02.jpg?v=1712194319"},{"product_id":"babyland-takashi-homma","title":"Babyland","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eSoftcover | First edition | 152 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Little More, 1995.\u003cbr\u003e\u003cbr\u003eTakashi Homma's first photo book. Published in conjunction with an exhibition by the same name. Contains about 50 works taken between 1993-95. Includes interview with Kyoko Okazaki. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e good\u003c\/div\u003e","brand":"Takashi Homma","offers":[{"title":"Default Title","offer_id":47542377513279,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/BABYLAND-HOMMA02.jpg?v=1712194858"},{"product_id":"vakat-nan-goldin","title":"Vakat","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eHardcover | First edition | 48 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Walther Konig, 1993\u003cbr\u003e\u003cbr\u003eGoldin is usually known for her photographs of people, especially close friends whose lives she chronicles. However in this new monograph she excludes people completely. \"Yet despite the stifling emptiness of her rooms, we sense the presence of people with their baggage of dreams, fears, and memories.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e excellent\u003c\/div\u003e","brand":"Nan Goldin","offers":[{"title":"Default Title","offer_id":47542378070335,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/Vakat-NanGoldin02.jpg?v=1712195251"},{"product_id":"stranded-in-canton-william-eggleston","title":"Stranded in Canton","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eHardcover | First edition | | 48 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Twin Palms Publishers, 2008. \u003cbr\u003e\u003cbr\u003eWilliam Eggleston’s pioneering \u003cmeta charset=\"utf-8\"\u003e1974 video work, Stranded In Canton. The book contains forty frame enlargements from the digital remaster, an appreciation by Gus Van Sant, and includes a DVD of the seventy-seven-minute film itself, along with more than thirty minutes of bonus footage and an interview with Mr. Eggleston conducted at the 2005 Toronto Film Festival.\u003cbr\u003e\u003cbr\u003e“Shot in 1974 with a Sony Porta-Pak, the crazily careering Stranded in Canton documents a cast of hard-drinking Southerners with the intimacy, ease and instability of a seasoned participant. Whiffs of Southern Gothic are not new to Mr. Eggleston’s work, but here they rise to the surface—fierce, tragic and proud.”\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e Brand new (sealed deadstock)\u003c\/div\u003e","brand":"William Eggleston","offers":[{"title":"Default Title","offer_id":47542378103103,"sku":"","price":135.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/William_Eggleston_-_Stranded_in_Canton.jpg?v=1771752457"},{"product_id":"zoku-masayuki-yoshinaga","title":"Zoku","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eSoftcover with sleeve | First edition | 242 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Little More, 2003. \u003cbr\u003e\u003cbr\u003eKnown for photographing many subcultural groups within Japanese society, Masayuki Yoshinaga’s Zoku is a poetic and meaningful documentation of the Motorcycle gangs of Japan known as Bosozoku. Published in 2003 by Little More, Zoku is a photographic culmination of a seven year relationship with the individuals within the gangs. Zoku - meaning tribe in Sino-Japanese, is a suffix which has been used extensively within Japan to label the many youth subcultures which were born out of the country’s Post- War era. Presenting a selection of images from more than 300 photographs, Yoshinaga portrays a highly raw and honest representation of those within the groups. The images emphasise the very meaning and spirit which defines the members as well as the cultures and traditions which have influenced the makings of the Bosozoku aesthetic.\u003cbr\u003e\u003cbr\u003eIncluded within is an afterward by Fumihiro Hayashi. Text in both Japanese and English.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e Very good\u003c\/div\u003e","brand":"Masayuki Yoshinaga","offers":[{"title":"Default Title","offer_id":47542378135871,"sku":"","price":240.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/zoku11.jpg?v=1712195433"},{"product_id":"tokyo-lucky-hole-nobuyoshi-araki","title":"Tokyo Lucky Hole","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eSoftcover | First edition | 269 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Ohta Shuppan, 1990. \u003cbr\u003e\u003cbr\u003eIt started in 1978 with an ordinary coffee shop near Kyoto. Word spread that the waitresses wore no panties under their miniskirts. Similar establishments popped up across the country. Men waited in line outside to pay three times the usual coffee price just to be served by a panty-free young woman.\u003cbr\u003e\u003cbr\u003eWithin a few years, a new craze took hold: the no-panties \"massage\" parlour. Increasingly bizarre services followed, from fondling clients through holes in coffins to commuter-train fetishists. One particularly popular destination was a Tokyo club called \"Lucky Hole\" where clients stood on one side of a plywood partition, a hostess on the other. In between them was a hole big enough for a certain part of the male anatomy...\u003cbr\u003e\u003cbr\u003eTaking the Lucky Hole as his title, Nobuyoshi Araki captures Japan's sex industry in full flower, documenting in more than 800 photos the pleasure-seekers and providers of Tokyo's Shinjuku neighbourhood before the February 1985 New Amusement Business Control and Improvement Act put a stop to many of the country's sex locales. Through mirrored walls, bed sheets, the bondage and the orgies, this is the last word on an age of bacchanalia, infused with moments of humour, precise poetry, and questioning interjections.\u003c\/div\u003e","brand":"Nobuyoshi Araki","offers":[{"title":"Default Title","offer_id":47542378168639,"sku":"","price":230.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/LUCKYHOLE.jpg?v=1726990164"},{"product_id":"deja-vu-no-13-larry-clark","title":"Déjà vu No. 13: Larry Clark special","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eSoftcover | out of print | 162 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Photo-Planète, 1993. \u003cbr\u003e\u003cbr\u003eThe amazing Japanese photography quarterly published during the early 90s, Déjà-vu was seminal in the formation of Japanese-Western photographic dialogue. The bilingual publication strayed from the technical photography magazines that dominated the industry, and instead presented extended photographic features on contemporary photographers with accompanying essays written in both Japanese and English.\u003cbr\u003e\u003cbr\u003eThis issue is a Larry Clark special featuring 90 pages worth of Clark's work, including images from Tulsa, Teenage Lust and 1992\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition: very good\u003c\/b\u003e\n\u003c\/div\u003e","brand":"Larry Clark","offers":[{"title":"Default Title","offer_id":47542378332479,"sku":"","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/dejavuclark02.jpg?v=1712195696"},{"product_id":"juergen-teller-juergen-teller","title":"Juergen Teller","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eHardcover | First edition | 176 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Taschen, 1996.\u003cbr\u003e\u003cbr\u003eJuergen Teller's first published monograph features many of his early and iconic works featuring candid portraits of Kate Moss, Vivienne Westwood, Patti Smith, Stella Tennant, PJ Harvey, Chloë Sevigny, Harmony Korine, Kurt Cobain and Courtney Love. Teller walks a fine line somewhere between fashion and fine are photography, his unconventional framing of models, use of hard flash, rawness and refusal to retouch makes his aesthetic so recognisable.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e good \u003c\/div\u003e","brand":"Juergen Teller","offers":[{"title":"Default Title","offer_id":47542378365247,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/juergen02.jpg?v=1712195927"},{"product_id":"secret-photography-this-is-infrared-kohei-yoshiyuki","title":"Secret Photography: This is Infrared!","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eSoftcover | First Edition | 240 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Sunday Inc, 1981.\u003cbr\u003e\u003cbr\u003eA follow up of sorts to Yoshiyuki’s, \u003ci\u003e‘Document Koen’ (Document Park), \u003c\/i\u003eone of the most notorious Japanese photobooks. This paperback features photos from the first section of that book with aditional text and diagrams. It was released as a kind of D.I.Y, instructional manual for aspiring photographers and voyeurs aiming to replicate the images of Yoshiyuki, complete with photo developing instructions and equipment lists.\u003cbr\u003e\u003cbr\u003e\"The abstract, somewhat inexplicit nature of \u003ci\u003eDocument Koen\u003c\/i\u003e (Document Park) raises few issues regarding the depiction of sex, but it does generate a whole slew of questions concerning voyeurism, privacy and stalking. It may indeed be considered a documentary book about sexual practices rather than a sex book in itself, although the voyeuristic nature of the images feeds back into both what is going on and how it was documented. To make the book, Yoshiyuki trawled the Shinjuku and Yoyogi parks in Tokyo, both notorious for nocturnal sexual activity, and photographed the 'goings-on' with infrared flash, which enabled him to get images in the dark without the flash being visible. One suspects that this was done less for reasons of concealment and more for the brittle, indeterminate aesthetic produced, for these seem to be semi-public events, with more voyeuristic spectators than people actually taking part in the various sexual activities... nominally a soft-core voyeur's manual, Document Koen is somewhat short on titillation. It is, however, a brilliant piece of social documentation, catching perfectly the loneliness, sadness and desperation that so often accompany sexual or human relationships in a big metropolis like Tokyo.\" - Parr \u0026amp; Badger, \u003ci\u003eThe Photobook: A History, Volume 2, pp. 296-297\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eText in Japanese.\u003c\/div\u003e\n\u003cdiv class=\"bubble\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"bubble\"\u003eCondition: very good\u003c\/div\u003e","brand":"Kohei Yoshiyuki","offers":[{"title":"Default Title","offer_id":47542378398015,"sku":"","price":120.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/kohei10.jpg?v=1712198143"},{"product_id":"skinhead-nick-knight","title":"Skinhead","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eSoftcover | First edition | 84 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Omnibus Press, 1982.\u003cbr\u003e\u003cbr\u003eThis title presents a handbook of the potent skinhead cult. It traces the development of the skinhead movement in England, describes the characteristics and behaviour of these gangs, and explains their attitudes towards school, the police, and the government.\u003cbr\u003e\u003cbr\u003eKnick Knight's debut publication presents an unflinching vision of Skinhead culture from the early '80s. The book features both written and visual musings on the style, music and behaviour that came to define the skinhead movement. This book is an essential fashion reference which helps to contextualise Nick Knight's artistic and photographic trajectory.\u003c\/div\u003e","brand":"Nick Knight","offers":[{"title":"Default Title","offer_id":47542378430783,"sku":"","price":175.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/KNIGHT.jpg?v=1726991858"},{"product_id":"gekijo-shashincho-japan-a-photo-theater-daido-moriyama","title":"Gekijo Shashincho (Japan: A Photo Theater)","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eSoftcover with obi | Revised Edition | Unpaginated (216 pages)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Photo Musee, 1995.\u003cbr\u003e\u003cbr\u003eA Photo Theater, (Nippon Gekijō Shashinchō, にっぽん劇場写真帖) is a revised version of Daido Moriyama’s first book originally published in 1968. The book contains images of street scenes and other pictures, seemingly chosen at random, giving a glimpse of Moriyama’s world and of what would become his trademark style. \u003cbr\u003e\u003cbr\u003eText in Japanese.\u003c\/div\u003e","brand":"Daido Moriyama","offers":[{"title":"Default Title","offer_id":47542378463551,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/daido101.jpg?v=1712198705"},{"product_id":"girls-blue-hiromix","title":"Girls Blue","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eSoftcover | Out of print | 126 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Rockin’ On, 1996.\u003cbr\u003e\u003cbr\u003eA classic first monograph from Japanese photographer, Hiromix, showcasing her signature snapshot style images of teenage life in Japan. The work first earned the photographer her fame and the attention from photographic predessors such as Nobuyoshi Araki. \u003cbr\u003e\u003cbr\u003e\u003ci\u003e\"The lifestyle documented in Girls Blue is determindely upbeat, focusing on the pop-consumerism of the young urbanite of relative affluence - a lifestyle dominated by clothes, shopping malls, fast-food outlets, and young men, to which Hiromix, like her subjects, clearly subscribes. ... But Hiromix, whose photographic voice is an unusually empathetic one, is unrepentant. Her comment on the book's jacket shows all the arrogance of youth: 'Photography is the place where I can express all ... I feel and think in my everyday life. It would not be understood by grown-ups or kids – only we can see what it is.'\"  - \u003c\/i\u003eGarry Badger (The Photobook: A History volume I, Hiromix) \u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e Good\u003c\/div\u003e","brand":"Hiromix","offers":[{"title":"Default Title","offer_id":47542378496319,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/girlsblue9.jpg?v=1712198790"},{"product_id":"fy-michael-wolf","title":"FY","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eHardcover | First edition of 300 copies | 72 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Peperoni Books, 2011.\u003cbr\u003e\u003cbr\u003e\"Michael WOLF's well-known Street View works deal with the automatically produced flood of images that is spread via 'Google' over the Internet, and join in his oeuvre, which deals with the conditions of modern urban life.\u003cbr\u003e\u003cbr\u003eAs for 'A Series Of Unfortunate Events', Michael WOLF also uses the image pool of the 'Google' tool as the source material for his own images for 'FY'. In his research he has now come across a global mass phenomenon.\u003cbr\u003e\u003cbr\u003eYou may think what you want through 'Google Street View', it always has a good thing. Because unmistakably inspired Street View worldwide young and old from all walks of life to spontaneous finger exercises. The gymnastic figures are presented in very different ways.\u003cbr\u003e\u003cbr\u003eYoung men in baseball caps and Adidas outfits work loosely, car and bicycle riders show off their skills casually en passant, business people wearing ties and collars tend to be highly concentrated and with their arms outstretched, earning first-rate posture marks, in the workers' milieu For the most part, the upward swing variant with half sideways rotation is preferred.\u003cbr\u003eAlmost acrobatic are the recently encountered 'Double Fuck You' figures, which are executed from the hollow cross or bent over.\" \u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e Very good\u003c\/div\u003e","brand":"Michael Wolf","offers":[{"title":"Default Title","offer_id":47542378660159,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/FY01.jpg?v=1712198851"},{"product_id":"fashion-magazine-martin-parr","title":"Fashion Magazine","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eSoftcover | First edition | 216 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Magnum Photos, 2005.\u003cbr\u003e\u003cbr\u003eFashion Magazine was produced to accompany a 2005 exhibition at Bon Marche gallery, Paris. Every photograph, including the advertisements, the society portraits and the travel shots, have been taken by Martin Parr. In his fashion work Parr uses real people, young and old; this catalogue presents highlights from his previous decade of fashion work, as well as new photography produced for the show. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bubble\"\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e good \u003c\/div\u003e","brand":"Martin Parr","offers":[{"title":"Default Title","offer_id":47542378692927,"sku":"","price":130.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/magparr01.jpg?v=1712198998"},{"product_id":"location-rineke-dijkstra","title":"Location","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eSoftcover | First edition | 40 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by The Photographers Gallery, 1997.\u003cbr\u003e\u003cbr\u003ePublished on the occasion of Dijkstra’s first major exhibition at The Photographers Gallery, London in November 1997, \u003ci\u003eLocation \u003c\/i\u003efocuses on Rineke Dijkstra’s early portraiture and includes images from previous bodies of work such as, \u003ci\u003ePortugal, Ghana, Wall Street,  Bathers,\u003c\/i\u003e and\u003ci\u003e New Mothers\u003c\/i\u003e. \u003ci\u003eLocation\u003c\/i\u003e is edited by Deborah Smith with essays by Michael Bracewell and Joanna Lowry, and also includes an interview of Dijkstra by Mariska van den Berg. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e Very good (natural shelf wear + small price sticker on the back cover)\u003c\/div\u003e","brand":"Rineke Dijkstra","offers":[{"title":"Default Title","offer_id":47542378725695,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/location1.jpg?v=1712199072"},{"product_id":"alive-seiichi-furuya","title":"Alive","description":"\u003cdiv class=\"bubble\"\u003e\n\u003cb\u003eHardcover | First Edition | 176 Pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by Scalo, 2004.\u003cbr\u003e\u003cbr\u003eSeiichi Furuya's photographs relentlessly highlight the cruel aspect of \"shooting\" a photograph. It is a materialistic act of severing the familiar relationship between the subject and the object, as well as the viewer and the object. Furuya is a photographer who totally excludes any lyrical vagueness from his images, even when his most intimate moments or his late wife are the subject. His work deploys a sharp tension that can seem like a cutting knife. Thus it seems no coincidence that he has taken up the theme of severance in his \u003ci\u003eBorder\u003c\/i\u003e series, in which he shot the border zone between Austria, where he lived, and the Eastern European nations, and \u003ci\u003eWall\u003c\/i\u003e, where he shot the Berlin Wall from the Eastern side before its collapse. In these works, the importance lies not in the old-fashioned melodramatic tragedy of crossing a boundary, but in the fact that the place in question is the remnant of an historical severance. This volume catalogues work Furuya has created over the past 25 years, in Europe, Japan, and the United States, including his latest series, which concentrates on his own neighbourhood of Graz, transforming in into images of intense colour and magical beauty.\u003cbr\u003e\n\u003c\/div\u003e","brand":"Seiichi Furuya","offers":[{"title":"Default Title","offer_id":47542378758463,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/alive01.jpg?v=1712199135"}],"url":"https:\/\/informlibrary.com\/collections\/archive.oembed?page=7","provider":"In Form Library","version":"1.0","type":"link"}