{"title":"Books","description":"","products":[{"product_id":"situations-antoine-dagata","title":"Situations","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover with obi | First Edition | 80 Pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Rat Hole Gallery, 2007.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished in conjunction with d’Agata’s exhibition by the same title at Rat Hole Gallery, Tokyo, ‘Situations’ presents a series of highly charged images by Magnum Photographer, Antoine d'Agata, together with an essay by famed situationist thinker Guy Debord. d’Agata’s provocative writhing photographs unveils a world of sex, drugs and decay. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003egood (wear to dust cover and obi)\u003c\/span\u003e\u003c\/p\u003e","brand":"Antoine d’Agata","offers":[{"title":"Default Title","offer_id":47542373941567,"sku":"","price":220.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/d-agata2.jpg?v=1704945968"},{"product_id":"street-cops-jill-freedman","title":"Street Cops","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSoftcover | First edition | 253 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Harper \u0026amp; Row, 1981.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJill Freedman is a documentary photographer best known for narrative photographs shot between the 1960s and 1980s. In particular, Freedman is known for images that explore the bonds of brotherhood (such as firefighters, the police, and men in Resurrection City, a shantytown erected in D.C. after the assassination of Martin Luther King). She often spends a period of time with her subjects, documenting their everyday lives with an emphasis on nuance and contradiction.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eStreet Cops\u003c\/i\u003e\u003cspan\u003e is a visual diary that resulted from two years of following the NYPD as they patrolled Manhattan’s Ninth and Midtown South Precincts. It opens with a grid of black and white portraits of some of the cops she worked with, followed by a quote by Alfred Hitchcock: “Let’s not go too deeply into these things. It’s only a movie.” The subsequent pages each contain a photograph of a cop in a precarious situation, whether it be making an arrest, assisting a detective, beating up an innocent person, or attending a co-worker’s funeral. Beside the images are short pieces of text in which Freedman describes the event depicted.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Jill Freedman","offers":[{"title":"Default Title","offer_id":47542373974335,"sku":"","price":390.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/COVER_72bc07ab-dc23-44f8-8496-7093cd975be1.jpg?v=1778670064"},{"product_id":"the-other-side-nan-goldin","title":"The Other Side","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSoftcover | Second Edition | 143 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Scalo, 2000.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEver since the early 1970s Goldin has lived with and among drag queens, documenting both their glamour and their struggles. The Other Side is her very personal declaration of love and gratitude to these drag queens, who showed her a way out of the captivity of pre-packaged, socially prescribed identity. As she put it: \"The pictures in this book are not of people suffering gender dysphoria but rather expressing gender euphoria.... The people in these pictures are truly revolutionary; they are the real winners in the battle of the sexes because they have stepped out of the ring\". In contrast to much of the early 90s drag queen mania, The Other Side has brilliantly passed the test of time: Goldin's photographs are as beautiful, moving, and vibrant as ever, heralding the utopian promises of a world where gender has stopped being a prison -- a vision that remains as vital and acute as it was when the book was first published.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e good (minor staining to inner cover and shelf wear)\u003c\/span\u003e\u003c\/p\u003e","brand":"Nan Goldin","offers":[{"title":"Default Title","offer_id":47542374007103,"sku":"","price":190.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/otherside03.jpg?v=1712231683"},{"product_id":"a-double-life-nan-goldin-david-armstrong","title":"A Double Life","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | First Edition | 144 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Scalo, 1994.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is a chronicle of Nan Goldin - a New York-based photographer - and her friend David Armstrong's friends, loves, and lives over 20 years. The book is both a visual dialogue between two artists and the portrait of a generation whose hopes and aspirations have been scarred by drugs, AIDS and sexual harassment. The parallel paths of their lives are represented in this book in the juxtaposition of styles - Goldin's colour photography set against Armstrong's more austere black-and-white imagery. It is both an illustrated history of recent culture and an artistic experiment.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e Very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Nan Goldin and David Armstrong","offers":[{"title":"Default Title","offer_id":47542374039871,"sku":"","price":160.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/GOLDIN22.jpg?v=1704946962"},{"product_id":"flash-up-seiji-kurata","title":"Flash Up","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSoftcover | First edition | 190 Pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Byakuya Shobo, 1980.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFlash Up by Seiji Kurata is one of the most exciting photographic excursions into the seedy parts of 1970s Tokyo. Kurata, a natural who began his photographing career doing workshops with revered greats such as Daido Moriyama and Araki Nobuyoshi, takes us on a journey through the nightclub scene of Ikebukuro and Shinjuku, he shows us glimpses of the cocky, tattooed yakuza underworld and of violent Bosozoku street fights, contrasts car crash victims with portraits of nightclub hostesses and the horny salarymen groping them for money, documents ultra-right wingers in Meiji Jingu and on tour in the countryside.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is the book that earned Kurata the Ihei Kimura award in 1980. His instinct for finding and framing interesting subjects translates into a remarkable document of the Tokyo nightlife. Unlike the more expressionistic styles of his “Provoke” teachers Moriyama and Nobuyoshi, Kurata’s medium-format photos possess an almost journalistic clarity and carry with them an air of documentary photography without sacrificing a certain energy and sense of immediacy. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eExtremely scarce.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003every good\u003c\/span\u003e\u003cb\u003e \u003c\/b\u003e\u003cspan\u003e(minor warping\/creasing to covers)\u003c\/span\u003e\u003c\/p\u003e","brand":"Seiji Kurata","offers":[{"title":"Default Title","offer_id":47542374072639,"sku":"","price":800.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/FLASH-UP2.jpg?v=1704946812"},{"product_id":"document-park-kohei-yoshiyuki","title":"Document Park","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSoftcover | First Edition | 82 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Seven Sha, 1980.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYoshiyuki was a young commercial photographer in Tokyo in the early 1970s when he and a colleague walked through Chuo Park in Shinjuku one night. He noticed a couple on the ground, and then one man creeping toward them, followed by another. \"I had my camera, but it was dark,\" he told the photographer Nobuyoshi Araki in a 1979 interview for a Japanese publication. Researching the technology in the era before infrared flash units, he found that Kodak made infrared flashbulbs. Yoshiyuki returned to the park, and to two others in Tokyo, through the '70s. He photographed heterosexual and homosexual couples engaged in sexual activity and the peeping toms who stalked them.\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e good (shelf wear to dustcover)\u003c\/span\u003e\u003c\/p\u003e","brand":"Kohei Yoshiyuki","offers":[{"title":"Default Title","offer_id":47542374105407,"sku":"","price":440.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/KOHEI2.jpg?v=1704948299"},{"product_id":"every-single-one-of-them-jack-pierson","title":"Every Single One of Them","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | First Edition | 320 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Twin Palms Publishers, 2004\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“In the interstices between film and photography, ad stereotypes, and clichés of a Californian paradise, Jack Pierson produces pictures that are deliberately sensual and sentimental. Through a subtle hybridization of genres they raise the central question of autobiographical sincerity as the work’s theme and site. By arresting intimate moments, they compose a familiar, private world, happy and nostalgic. By disclosing (or pretending to disclose) something of the artist, they acquire a natural quality that turns them into secret confessions. We are simultaneously in the artist’s studio and in the middle of his life, and, I’d be tempted to add, in the idealizing and loving grace of his gaze.” — Henry-Claude Cousseau\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e Good\u003c\/span\u003e\u003c\/p\u003e","brand":"Jack Pierson","offers":[{"title":"Default Title","offer_id":47542374269247,"sku":"","price":170.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/PIERSON.jpg?v=1704946694"},{"product_id":"pseudo-diary","title":"Pseudo Diary","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSoftcover with slipcase | First Edition | 296 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Byakuya-shobo, 1980.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis book is a compilation of diary entries and photographs that Araki ran as a serial in a magazine entitled “Weekend Super.” One entry reads: ‘July 4. Got up at 9a.m. Decided on sex over jogging. Ate breakfast watching Baisho Chieko and Hashi Yukio on the tube. Fried rice and leftovers on parade…’ Everything written is true, and at the same time, nonsense. Walking the tightrope between the two, Araki reveals his backstage props to the audience.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003cspan\u003e: Very good (natural shelf wear and some small dings to dust cover)\u003c\/span\u003e\u003c\/p\u003e","brand":"Nobuyoshi Araki","offers":[{"title":"Default Title","offer_id":47542374302015,"sku":"","price":140.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/ARAKI1.jpg?v=1704947171"},{"product_id":"safety-in-numbers-nick-wapplington","title":"Safety in Numbers","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | First Edition | 112 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Booth-Clibborn Editions + Dazed \u0026amp; Confused Magazine, 1997.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNick Waplington’s photographic survey of nocturnal youth around the world. ‘Safety In Numbers’ shows the very much alive club scene of the mid to late 90’s between London, New York, Los Angeles and Tokyo. The book functions as a sort of visual delirium moving from city to city, with flashes of the young faces in the clubs, blurry cityscapes from moving trains and snapshots of the suburbs in the early hours after nights out.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Nick Wapplington","offers":[{"title":"Default Title","offer_id":47542374334783,"sku":"","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/WAP.jpg?v=1712025660"},{"product_id":"a-good-mans-grave-is-his-sabbath-nick-wapplington","title":"A Good Man's Grave Is His Sabbath","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eSoftcover | First edition of 400 | 48 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Deadbeat Club \/ Little Big Man Gallery, 2015.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eZine collecting some of Waplington’s earliest photographs, taken between 1979 and 1986. Black and white images of post-punk Britain during the Thatcher years — marches, protests and the riots that followed — are juxtaposed with colour photographs from Waplington’s Surf Riot series, shot at the 1986 OP Pro surf contest in Huntington Beach, California, where a bikini contest spiralled into a full-scale riot. Published to coincide with Waplington’s exhibition of the same name at Little Big Man Gallery.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCondition: good\u003c\/p\u003e","brand":"Nick Wapplington","offers":[{"title":"Default Title","offer_id":47542374367551,"sku":"","price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/WAP1.jpg?v=1704945630"},{"product_id":"i-don-t-know-masafumi-sanai","title":"I Don't Know","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | First edition\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Korinsha Press, 1998.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMasafumi Sanai’s seminal photobook, ‘I Don’t Know”.\u003c\/span\u003e\u003ci\u003e\u003cbr\u003e\u003cbr\u003e\"Masafumi Sanai is representative of a youthful generation of Japanese photo-diarists. He is a prolific maker of photobooks, of which this is the first and probably most successful. Whereas his female equivalent is probably Hiromix, who shows girls and girl things, Sanai shows boys and boy things, most notably cars. Wakaranai (I Don't Know) could be seen as a loose companion piece to Takashi Homma's Tokyo Suburbia, since it documents the same world of outer-city urban landscapes, portraits of contemporaries, and interiors of vacuous malls and apartments on the fringes of Tokyo, shot in the color snapshot diary-mode made famous by the American, Nan Goldin, who has made an enormous impact on Japanese photography.\"\u003c\/i\u003e\u003cspan\u003e (Parr \u0026amp; Badger II)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e excellent\u003c\/span\u003e\u003c\/p\u003e","brand":"Masafumi Sanai","offers":[{"title":"Default Title","offer_id":47542374400319,"sku":"","price":270.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/SANAI.jpg?v=1704946462"},{"product_id":"andy-warhols-factory-photos-billy-name","title":"Andy Warhol's Factory Photos (Factory Foto)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSoftcover | First edition | 224 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Uplink, 1996.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA comprehensive collection of Billy Name’s black-and-white and colour photographs from Warhol’s Factory. Name’s photographs from this period (1964–68) are one of the most important photographic documents of any single artist in history. Name lived in a tiny closet at the Factory. He was responsible for the legendary “silverizing” of the space using aluminium paint and foil to complete the instillation. When Warhol gave Name a Pentax Honeywell 35mm camera, he took on the role of resident photographer and archivist. This visual essay offers an extensive trip through Warhol’s world. Name photographed the day-to-day happenings at The Factory with Andy, including visits from Lou Reed and the Velvet Underground, Nico, Edie Sedgwick, Ivy Nicholson and Bob Dylan, and filming Screen Tests and features such as Chelsea Girls, Vinyl and My Hustler.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Billy Name","offers":[{"title":"Default Title","offer_id":47542374433087,"sku":"","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/s189298709336358084_p75_i1_w4356_1c0fced7-5601-40a9-a099-c7a7d0431bc2.jpg?v=1704945756"},{"product_id":"deuce-and-a-quarter-vinca-petersen","title":"Deuce and a Quarter","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | First edition of 1000 copies | 128 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by IDEA, 2018.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1999, Vinca took a road trip across Texas with Corinne Day, Rosemary Ferguson and Susie Babchick. ‘Deuce and a Quarter' was the street name for the 1970's Buick Electra 225 that they drove.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNow this most beautiful book presents 100 photographs taken by Vinca on that trip. Never previously published and pretty much unseen for 18 years, the y now look like the answer to everything. Effortless. Free of fashion or formality or any specific purpose other than being a record of a time when time was less frequently recorded.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e Very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Vinca Petersen","offers":[{"title":"Default Title","offer_id":47542374465855,"sku":"","price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/VINCA.jpg?v=1704945392"},{"product_id":"rolling-stones-fans-joseph-szabo","title":"Rolling Stones Fans","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSoftcover | First edition of 1000 copies | 124 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by P.A.M, 2007.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1978 two of Joseph Szabo’s high school students invited him to join them at a Rolling Stones concert at JFK Stadium in Philadelphia. Sensing a promising photo opportunity, Szabo agreed, packing three 35mm cameras and plenty of black-and-white film.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSome 90,000 Rolling Stones fans converged on the stadium for the concert, where Szabo captured them drinking, kissing, smoking, dancing and hanging out. Their young subjects transported by the music, the drugs, the alcohol and the community, Szabo’s Rolling Stones Fans photographs show unguarded moments of absorption and abandon in the sublimity of the rock and roll gig. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e good (some shelf wear to covers). \u003c\/span\u003e\u003c\/p\u003e","brand":"Joseph Szabo","offers":[{"title":"Default Title","offer_id":47542374498623,"sku":"","price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/SZABO_1.jpg?v=1712194052"},{"product_id":"stage-hedi-slimane","title":"Stage","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eHardcover | First edition | 396 pages\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by 7L, 2004.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver the years, Hedi Slimane's ongoing design collaborations with musicians on their stage costumes has allowed him unfettered access around the stages of live concerts by David Bowie, The White Stripes, Beck, The Rolling Stones, Blondie, The Strokes and The Libertines... in Paris, London, Berlin, New York and Los Angeles. This juncture between fashion and music has evolved into a personal photographic investigation on the mythology of the rock concert. In Slimane's pictures, the stars of the shows are often conspicuously absent; what the images reveal, instead, is a meditation on the creation of a rock personality, the silent ritual that goes on in the space he or she inhabits. His images capture, as Slimane himself puts it, the sacred--almost sacrificial--space of the stage.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCondition:\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e very good (minor shelf wear and page yellowing from age)\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e","brand":"Hedi Slimane","offers":[{"title":"Default Title","offer_id":47542374531391,"sku":"","price":240.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/SLIMANE.jpg?v=1704947949"},{"product_id":"hysteric-seven-dean-sameshima","title":"Hysteric Seven","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | Numbered edition of 400 (no.244) | 48 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Hysteric Glamour, 2002.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSameshima's understated investigation of the LA-based pornographic film industry. This slim but potent collection of photographs from Dean Sameshima is divided into three chapters that lead seamlessly into one another other: the sun-bleached, unadorned cement facades of sex clubs make way for the rumpled, sweat-soaked sheets of the empty beds inside, which then open naturally onto the open shirts of the “Modern Boys” whom the artist has cropped just below the eyes. 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The collection represents the thematic core of Goldin's work and vision, and explores themes of love, loss, sexuality, intoxication, pain, and her ongoing obsession with the documention of those around her. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe book is narrated throughout by Goldin, offering a poetic backing to the work and anecdotal insight into particular images.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eText in English and Japanese.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e Very good\u003c\/span\u003e\u003c\/p\u003e","brand":"Nan Goldin","offers":[{"title":"Default Title","offer_id":47542374924607,"sku":"","price":190.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/GOLDIN-copy.jpg?v=1704945915"},{"product_id":"finnish-youth-jouko-lehtola","title":"Finnish Youth","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eHardcover | First edition of 1000 copies | 52 pages\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Aalto, 2015.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRaves, parties, heartbreak, tears, hangovers, hickeys, pimples and tattoos are what make up the bulk of late photographer \u003c\/span\u003e\u003ca href=\"http:\/\/www.joukolehtola.com\/site\/\" target=\"_blank\"\u003eJouko Lehtola\u003c\/a\u003e\u003cspan\u003e’s photos of Finnish youth. For over two decades he documented Helsinki, explaining, “I try to capture innocence and rage. Anyone who has been a teenager knows it ain’t fun. 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Includes photographs from Mark Borthwick, Juergen Teller, Camille Vivier, Wolfgang Tillmans, Anders Edstrom, Takashi Homma, Jack Pierson \u0026amp; Richard Prince. 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How do you photograph the quotidian moments that, while not dramatic, form the core of life’s pleasures and satisfactions? The answer for him is found in a country house owned by the family of his girlfriend. The world that he reveals to us is one of sun-warmed lunch tables, cool afternoon river swims, lazy walks in pathless fields, and tasks that are met with no timetable in mind. If we view these pictures from a hurried, urban mindset, we see nothing. Literally. Nothing is happening. 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Already feeling like a foreigner outside of her urban element, Modica decided to stop and photograph, embarking on what became a fifteen year relationship. The first ten years of the collaboration that ensued was published in 1996 as Treadwell, a critically acclaimed masterpiece (cat# CI087H, signed). Then, tragically, Barbara was diagnosed with a severe case of juvenile diabetes. Though bedridden during much of this time, the photographs continued unabated until her death in 2001. Barbara's last year is presented in this unassuming elegy. 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Whether serving in the Persian Gulf, Kosovo, or Northern Ireland, the individuals pictured in this book represent a complex and fraught figure in society. 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Each time Tillmans has had a show there since 1999 the gallery has produced a beautifully printed, elegant little catalog in an identical format. 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Taking time to create a testimony of this land where all the scattered pieces were never been understood as a whole.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e New\u003c\/span\u003e\u003c\/p\u003e","brand":"Rebekka Deubner","offers":[{"title":"Default Title","offer_id":47542375940415,"sku":"","price":72.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/Deubner.jpg?v=1704947981"},{"product_id":"furs-jurgen-maelfeyt","title":"FURS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | First Edition of 500 | 48 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Art Paper Editions, 2019.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eFURS\u003c\/i\u003e\u003cspan\u003e, is an artist book from Art Paper Editions\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003efounder Jurgen Maelfeyt, in which he continues his work with found photography, this time sourcing the images from erotica. Maelfeyt employs a fetishistic fragmentation and maintains the reflective gloss of the original photographs, experimenting with the erotic tension between obscuring and revealing.\u003c\/span\u003e\u003ca href=\"https:\/\/www.madevankrimpen.com\/\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003cspan\u003e New\u003c\/span\u003e\u003c\/p\u003e","brand":"Jurgen Maelfeyt","offers":[{"title":"Default Title","offer_id":47542376104255,"sku":"","price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/FURS.jpg?v=1704946300"},{"product_id":"signal-the-future-georg-gatsas","title":"Signal The Future","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eHardcover | First Edition | 216 pages\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Loose Joints, 2017.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSwiss-based photographer \u003c\/span\u003e\u003cb\u003eGeorg Gatsas'\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eSignal The Future\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e unpacks many layers of an important musical era in London. Through portraits, candid shots of clubbers, and architectural investigations of the city, a narrative unfolds of how music both shapes and is shaped by its immediate urban environment. Dating from 2008 – shortly after the British club phenomenon of dubstep received international acclaim – we’re introduced to a music scene in the flush of fame. Ethnically diverse, largely working class, surprisingly close-knit, and a world apart from the country’s acclaimed indie and guitar rock history, the people in this book are united by the city and their love of the music. We glimpse dancers mid-stride, witness their steppers’ communion, and get a sense of their afterhours lives on the empty streets of Brixton in the night. Gatsas uses an interdisciplinary approach to focus on how sound, recollection, and public spaces interact. 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