{"product_id":"new-documentary","title":"New Documentary","description":"\u003cp\u003eSoftcover | First edition | 192 pages\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan itemprop=\"publisher\"\u003eThe Asahi Shimbun,\u003c\/span\u003e\u003cspan\u003e 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNew Documentary was released alongside Takashi Homma’s first museum retrospective, shown at Tokyo Opera City (2011), 21st Century Museum of Contemporary Art Kanazawa, and MIMOCA Marugame .\u003c\/p\u003e\n\u003cp\u003eThe book covers seven of Homma’s major projects from the previous decade—Trails, Tokyo and My Daughter, Widows, M, Together: Wildlife Corridors in Los Angeles, Seeing Itself, and Short Hope—along with a section recreating his editorial work . It blends installation views and project excerpts, highlighting his neutral, observational style across architecture, landscapes, suburbs, and portraits.\u003c\/p\u003e\n\u003cp\u003eThe design interweaves photographs, exhibition sketches, and photobook references to mirror the touring show’s structure and Homma’s methodical approach . Essays and commentary by Noi Sawaragi, Elein Fleiss, Mike Mills, Francesco Zanot, and others, appear in bilingual Japanese and English.\u003c\/p\u003e\n\u003cp\u003eNew Documentary crystallizes Homma’s “dry, clinical” lens and his quiet but rigorous interrogation of the ordinary textual guide to his evolving voice in Japanese documentary photography.\u003c\/p\u003e\n\u003cp\u003eCondition: good (fading to covers)\u003c\/p\u003e","brand":"Takashi Homma","offers":[{"title":"Default Title","offer_id":51601760813375,"sku":null,"price":180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0812\/4773\/2031\/files\/Takashi_Homma_-_New_Documentary.jpg?v=1764304210","url":"https:\/\/informlibrary.com\/products\/new-documentary","provider":"In Form Library","version":"1.0","type":"link"}